Today marks the 85th Anniversary of iconic artist, Andy Warhol (born August 6th, 1928.) He is best known for commemorating advertisements and celebrity culture in the1960's American art movement called Pop Art. The Andy Warhol Museum has teamed up with Earthcam, and is streaming live video from his grave site in Pittsburgh, Pa. as well as from the nearby church where he was baptized all day Tuesday, August 6th. Check out the link http://www.npr.org/blogs/thetwo-way/2013/08/06/209485959/for-andy-warhols-birthday-museum-streams-video-of-his-grave?utm_source=buffer&utm_campaign=Buffer&utm_content=buffer07851&utm_medium=twitter
It was during a childhood illness that Warhol discovered his love of art. His mother, an artist, taught him to draw when he was bedridden for months. She also gave him a camera (he was an avid movie fan) and he set up a makeshift darkroom in his basement. These gifts altered the course of his life. He went on to graduate from Carnegie Mellon University with a degree in pictorial design.
Warhol started his career as a commercial artist and was very successful using his own blotted line technique and rubber stamps in a whimsical way while at Glamour magazine in the 1950's. In the early 60's he started "Pop" Art - where he focused on mass produced commercial goods. He first exhibited the now infamous Campbell soup paintings in 1962.
These small canvases of a common consumer good propelled both Warhol and Pop Art into the public spotlight worldwide.
As Warhol himself put it, "Once you 'got' pop, you could never see a sign the same way again. And once you thought pop, you could never see America the same way again."
He also painted Coca-Cola bottles, hamburgers and even vacuum cleaners. He used vivid, bold colors to paint portraits of some of the most legendary figures of the times - including Marilyn, Jackie and Elvis. His series of the "Eight Elvis's" resold for a record $100 million in 2008, making it one of the most valuable pieces of art in history.
He opened "The Factory" in 1964 which quickly became the hot spot in NYC. It was a vacuous silver-painted warehouse that the "it" socialites and celebrities flocked to. Warhol himself became a celebrity and observed "more than anything people just want to be stars."
In the 1970's he released several books and went on to make over 60 films including Sleep, which depicts poet John Giorno sleeping for 6 hours and Eat, which shows a man eating a mushroom for 45 minutes.
"Warhol's life and work simultaneously satirized and celebrated materiality and celebrity. On the one hand, his paintings of distorted brand images and celebrity faces could be read as a critique of what he viewed as a culture obsessed with money and celebrity. On the other hand, Warhol's focus on consumer goods and pop-culture icons, as well as his own taste for money and fame, suggest a life in celebration of the very aspects of American culture that his work criticized. Warhol spoke to this apparent contradiction between his life and work in his book The Philosophy of Andy Warhol, writing that 'making money is art, and good business is the best art.'"
Andy Warhol died on February 22, 1987.
Daily birthdays, anniversaries, foundings, etc. of stylemakers including architects, artists, interior designers, furniture makers, textile makers, fashion icons, etc that have influenced the way we decorate!
Tuesday, August 6, 2013
Tuesday, July 23, 2013
Richard Rogers, Architect of the "Inside-Out" Style
Italian-British Architect Richard Rogers was born on July 23, 1933 in Florence. He may be most well known for his contribution to the Centre George Pompidou in Paris which, according to the New York Times, "turned the architecture world upside down."
He was part of a team, along with Renzo Piano and Gianfranco Franchini, which won a Design Competition in 1971 for the Pompidou Centre. Rogers had already established himself as a a High-Tech Architect, when he had partnered early in his career with Norman Foster. High-Tech Architecture incorporates elements of the high-tech industry and technology into building design. High-Tech Architecture served as a bridge (albeit with a few areas of crossover) between modernism and post-modernism, emerging in the 1970's.
In buildings such as the Pompidou Centre, the idea of revealed structure is taken to the extreme, with apparently structural components serving little or no structural role. In this case, the use of "structural" steel is a stylistic or aesthetic matter. The outside look of the building reflects the modern art kept inside. Rogers developed his trademark style during the execution of this project, which was exposing most of the building's services on the outside of the building (water, heating and ventilation ducts, and stairs), leaving the interior spaces clutter-free and open for the art. Some critics coined this look "Bowellism." The Pompidou Centre was completed in 1977.
Roger's also incorporated this "inside-out" style in the design of the Lloyd Building in London in 1986.
He has won countless awards during his long, illustrious career and has devoted his later years to wider issues surrounding architecture, urbanism, sustainability and the ways in which cities are used.
He was part of a team, along with Renzo Piano and Gianfranco Franchini, which won a Design Competition in 1971 for the Pompidou Centre. Rogers had already established himself as a a High-Tech Architect, when he had partnered early in his career with Norman Foster. High-Tech Architecture incorporates elements of the high-tech industry and technology into building design. High-Tech Architecture served as a bridge (albeit with a few areas of crossover) between modernism and post-modernism, emerging in the 1970's.
In buildings such as the Pompidou Centre, the idea of revealed structure is taken to the extreme, with apparently structural components serving little or no structural role. In this case, the use of "structural" steel is a stylistic or aesthetic matter. The outside look of the building reflects the modern art kept inside. Rogers developed his trademark style during the execution of this project, which was exposing most of the building's services on the outside of the building (water, heating and ventilation ducts, and stairs), leaving the interior spaces clutter-free and open for the art. Some critics coined this look "Bowellism." The Pompidou Centre was completed in 1977.
Roger's also incorporated this "inside-out" style in the design of the Lloyd Building in London in 1986.
Lloyd's Building - London |
Thursday, July 18, 2013
Victor Gruen, Inventor of the Modern Mall
Malcolm Gladwell referred to Architect Victor Gruen, inventor of the modern mall, as"one of the most influential architects of the twentieth century."
Gruen was born in Vienna, Austria on July 18th, 1903 (died February 14, 1980.) He was considered the pioneer of the shopping mall in America. After emigrating to the United States in 1938, he worked as a draftsman for many shops in New York City. He later to moved to Los Angeles and opened his own firm, Victor Gruen Associates. He designed the first suburban open air facility outside of Detroit in 1954 called the Northland Mall. Gruen followed up this success with the first enclosed shopping mall in Minnesota in 1956 for the owners of the Dayton Department Stores. He went on to design Midtown Plaza in Rochester, NY (near where I grew up), which was the first downtown indoor mall in the United States, in 1962.
When Gruen designed Midtown Plaza, he was at the height of his career. This project attracted national attention, including a nationally televised feature report on NBC's Huntley-Brinkley newscast on the night of it's opening April 1962. City officials and planners from around the world came to see Gruen's solution to the mid-century urban crisis. Midtown Plaza also won several design awards.
Through the 1970's Gruen's firm designed over 50 malls. In the late 1970's, Gruen disevowed shopping mall developments stating they "bastardized" his ideas.
Photo of Victor Gruen - Courtesy of the American Heritage Center |
When Gruen designed Midtown Plaza, he was at the height of his career. This project attracted national attention, including a nationally televised feature report on NBC's Huntley-Brinkley newscast on the night of it's opening April 1962. City officials and planners from around the world came to see Gruen's solution to the mid-century urban crisis. Midtown Plaza also won several design awards.
Clock Tower at Midtown Plaza - 1st Downtown Indoor Mall in America |
Wednesday, July 10, 2013
Record Art Sales
On this date in 1982 Samuel Morses'(yes the same man who invented the telegraph) painting "Gallery of the Louvre" sold for a record $3,250,000 - a then-record for the sale of a painting by an American artist. Morse (1791-1872) spent time in Europe honing his craft and in 1831 he began this monumental canvas depicting a grand room in Paris's Louvre Museum filled with famous masterpieces. He later finished the piece back in the United States. It sold for $1500.00 far short of his asking price of $2500.
Peter Paul Rubens' (1577-1640) painting "The Massacre of the Innocents" also sold on this date in 2002 for $76.2 million to Kenneth Thomson, Lord Thomson at a Sotheby Auction. Rubens painted this first version between 1611-1612. He painted a second version toward the end of his life 1636-1638. It depicts a story of the same name from the Gospel of Matthew.
Peter Paul Rubens' (1577-1640) painting "The Massacre of the Innocents" also sold on this date in 2002 for $76.2 million to Kenneth Thomson, Lord Thomson at a Sotheby Auction. Rubens painted this first version between 1611-1612. He painted a second version toward the end of his life 1636-1638. It depicts a story of the same name from the Gospel of Matthew.
Saturday, July 6, 2013
Frida Kahlo
Renowned Mexican Artist and Self-Portraitist, Frida Kahlo, was born this day in 1907. She died July 13, 1954. Kahlo began painting following a serious bus accident that left her bed-ridden for many months. All of her work was highly personal, often depicting the pain that she endured daily all of her life. She painted moments of her life as if she were writing in the pages of her diary. Kahlo, who taught herself to paint, used symbols to show pain, death and rebirth. "I never painted dreams, I painted my own reality." Some considered her to be part of the Surrealist movement. She was also politically active and was an outspoken feminist. She later met and married Mexican Muralist, Diego Rivera.
Her first self-portrait, Self Portrait in a Velvet Dress, was painted in 1926. She painted 53/55 self portraits during her career (out of the /143/200 paintings she created.)
In 1929, Kahlo married Rivera. He was 20 years older than she, and almost a foot taller.
She painted her second self-portrait, "Time Flies," which exhibits her trademark, folkloric style.
In 1929, Kahlo married Rivera. He was 20 years older than she, and almost a foot taller.
One of her most famous works is "Self-Portrait with Thorn Necklace and Hummingbird" from 1940,
Kahlo was born in Coyoacan, Mexico. She grew up in "The Blue House" or "Casa Azul," which Diego Rivera donated as a museum in 1957, upon his death.
Kahlo's life and art has been the subject of many books, exhibitions and a movie, "Frida," starring Salma Hayek and Alfred Molina (2002.) I particularly enjoyed, Barbara Kingsolver's novel, "The Lacuna," featuring Kahlo, her life with Rivera and her affair with Trotsky.
Her first self-portrait, Self Portrait in a Velvet Dress, was painted in 1926. She painted 53/55 self portraits during her career (out of the /143/200 paintings she created.)
In 1929, Kahlo married Rivera. He was 20 years older than she, and almost a foot taller.
She painted her second self-portrait, "Time Flies," which exhibits her trademark, folkloric style.
In 1929, Kahlo married Rivera. He was 20 years older than she, and almost a foot taller.
In 1931 Kahlo painted "Frida and Diego," from a wedding photograph.
One of her most famous works is "Self-Portrait with Thorn Necklace and Hummingbird" from 1940,
Kahlo was born in Coyoacan, Mexico. She grew up in "The Blue House" or "Casa Azul," which Diego Rivera donated as a museum in 1957, upon his death.
Kahlo's life and art has been the subject of many books, exhibitions and a movie, "Frida," starring Salma Hayek and Alfred Molina (2002.) I particularly enjoyed, Barbara Kingsolver's novel, "The Lacuna," featuring Kahlo, her life with Rivera and her affair with Trotsky.
Wednesday, July 3, 2013
Fruit, Garden and Home
First Issue of Fruit, Garden and Home |
June 1923 Issue |
First Issue as Better Homes and Gardens |
Better Homes and Gardens had a test kitchen built in 1928 that mirrored the look and functionality of the typical American kitchen of the times.
In 1930 they published their first cookbook, My Better Homes and Gardens Cookbook. This revolutionized cookbooks as it came in a ring binder so that it would lay flat on the countertop and had tabs for easy navigation.
A few additional fun facts about the magazine:
In 1938 an article called "Toss That Salad" appeared in the magazine, introducing tossed green salads to American families.
In 1939 pomegranate seeds made their debut to the public in a recipe for Citrus-Avocado Salad.
Backyard barbecuing was introduced to the readers in 1941.
Victory Gardens sprouted up everywhere in 1943 and BHG began giving recipes for pickling, preserving and canning.
1948 "the first truly new cake in 100 years was featured" - the Chiffon Cake.
BHG was the first to introduce the Microwave to it's readers in 1955.
Famous Foods from Famous Places became a regular feature in 1956 as families began to travel and eat out with some regularity and frequency.
The 1960's saw a rise in Cook-It-Yourself parties with the advent of fondue sets, hibachi grills and hot pots.
The Crock-Pot and self-cleaning ovens furthered the convenience of cooking (and cleaning) in 1971.
The health food movement came to BHG in 1972 with features on granola, bran, yogurts, etc. appealing to the now calorie conscious public.
2005 saw a revamping of the test kitchen providing the newest in technology so that BHG is equipped to lead Americans into the future of cooking and eating.
Today BHG sells over 7.6 million copies a month.
(All facts and dates above are taken from the Better Homes and Garden website.)
Tuesday, June 25, 2013
Antoni Gaudi
The Nave of the Sagrada Familia
Gaudi incorporated his other crafts into his architecture: ceramics, mosaics,
stained glass, iron work and carpentry.
|
Saturday, June 22, 2013
Droog Designs
"A Chest of Drawers" designed by Tejo Remy |
"85 Lights Chandelier" designed by Rody Graumans |
'The Rag Chair' by Tejo Remy Irreconcilable differences over the direction of the company and money led the two to part ways. Ramakers continues to work with over 200 artists, designers and architects worldwide on a range of products, ventures and events. See all of their products and offerings at www.droog.com |
Friday, June 21, 2013
Paolo Soleri
Paolo Soleri,a Visionary Architect and renaissance thinker, was born on this date in 1919 in Turin, Italy.
He is best known for "Arcology," an urban theory based on the synthesis of architecture and ecology. This concept advocates cities designed to maximize the interaction and accessibility associated with an urban environment, while minimizing the use of energy, raw materials, and land.
Arcosanti (below), was a prototype town designed for 5,000 people based on Soleri's arcology theory.
He was committed to this vision his entire career. For over 50 years he designed and sold "Soleri Bells," unique cast-bronze wind-bells prized for their pure tone, to finance Arcosanti.
The Arcosanti project continues as students from all over the world attend 5 week workshops constructing buildings in Soleri's vision.
(Soleri was inspired by his fellowship with Frank Lloyd Wright (from 1947-1949) working at
Taliesin East in Wisconsin and Taliesin West in Arizona. During this time he gained international recognition for his bridge design now displayed at the Museum of Modern Art.)
Soleri died in 2013 at the age of 93.
Monday, June 17, 2013
Charles Eames
Renowned Architect, Furniture Designer and Industrial Designer Charles Eames was born on this day in 1907 (died 1978). He and his wife, Ray, were among America's most celebrated designers. They believed that a house should be flexible enough to accommodate both work and play.
"Recognizing the need, is the primary condition for design." This drove a lot of the Eameses work. Early in their careers they saw the need for affordable, high-quality furniture for the average consumer. For forty years the two experimented with ways to meet this challenge, designing flexibility into their compact storage units, and collapsible sofas for the home, and seating for virtually anywhere and everywhere. Many chairs were designed for Herman Miller in four materials - molded plywood, fiberglass-reinforced plastic, bent and welded wire mesh and cast aluminum.
One of the most famous of these chairs was/is the DSR chair (Dining - height, Side -chair, Rod - base.)
Designed in 1948 this chair has a chrome base, often referred to as the "Eiffel" Chair. It was one of a series, all with the same seat shell, first from fiberglass now made from polypropylene.
This Lounge Chair and Ottoman was designed in 1956 for the Herman Miller Company and is still considered to be one of the most comfortable seats ever made.
The Eameses designed this Case Study House #8 (which was an experimental program in American residential Architecture sponsored by Arts & Architecture Magazine) which was one of the first modern pre-fabricated homes.
For more information on these influential designers of the 1950's check out this great Life Magazine
article. http://life.time.com/culture/charles-and-ray-eames-photos-of-the-legendary-designers-in-1950/#1
One of the most famous of these chairs was/is the DSR chair (Dining - height, Side -chair, Rod - base.)
Designed in 1948 this chair has a chrome base, often referred to as the "Eiffel" Chair. It was one of a series, all with the same seat shell, first from fiberglass now made from polypropylene.
In 1999, Time Magazine declared the Eames Lounge Chair Wood (the LCW) the greatest design of the 20th century. This chair was originally created in 1945, when Charles was designing plywood splints for the US Air Force. After several experiments, the Eameses came up with this design using two separate pieces of plywood joined by plywood spine.
Eames Lounge Chair and Ottoman Available today at Herman Miller http://www.hermanmiller.com/products/seating/lounge-seating/eames-lounge-chair-and-ottoman.html |
For more information on these influential designers of the 1950's check out this great Life Magazine
article. http://life.time.com/culture/charles-and-ray-eames-photos-of-the-legendary-designers-in-1950/#1
Sunday, June 16, 2013
Jim Dine
Pop Artist Jim Dine was born on June 16, 1935 in Cincinnati, Ohio. He gained national recognition in 1962 when his work was included in the ground breaking exhibition "New Painting of Common Objects" along with Roy Lichtenstein, Andy Warhol and Edward Ruscha. This exhibition was historic as it was the first "Pop Art" show in America. These painters started a movement, in a time of social unrest, which shocked the Art World and America and changed Modern Art forever.
Dine continues to sculpt, draw and paint, exhibiting worldwide! His original work as well as his prints are seen in apartments, condos and homes everywhere adding color, energy and excitement to the spaces.
Dine continues to sculpt, draw and paint, exhibiting worldwide! His original work as well as his prints are seen in apartments, condos and homes everywhere adding color, energy and excitement to the spaces.
Thursday, June 13, 2013
Larry Aldrich and Pierre Paulin...
Larry Aldrich was born on June 13, 1906. He was a fashion designer, art collector and founder of The Aldrich Museum for Contemporary Art in Ridgefield, Connecticut.(the first museum of it's kind devoted solely to innovative, contemporary art in America.)
Aldrich spent over 40 years as a fashion designer, creating collections for chic women, sharing the spotlight with Pauline Trigere and Geoffrey Beene. He didn't intend to work in fashion, but a summer internship prior to entering law school that fall, forever altered the course of his life. He opened his own firm in 1927, after his first collection proved to be a huge success.
In 1937 Aldrich began collecting paintings by Gauguin, Monet and others. After he developed a friendship with Alfred H. Barr, Jr., the first director of the Museum of Modern Art, he looked to less-known artists and purchased each work for a maximum of $1,000. He gave all of these (112 works of art) to the Museum. He did the same with the Whitney Museum from 1963-1970. In 1963, Aldrich established his own museum. He sold his extensive collection of masterpieces from Picasso, Miro, Paul Klee and others (raising more than $1.3 million) to fund the building. In 1964, the museum opened to the public in Ridgefield, Connecticut.
Aldrich always saw a natural connection between art and fashion, even producing a dress collection in 1964 inspired by Op Art. In 1966, he sold his design business and focused solely on his museum, naming Alfred Barr, Philip Johnson and Joseph Hirschhorn to the board of directors. Over the next few decades, The Aldrich Museum of Contemporary Art promoted the works of lesser-known artists and continues today to showcase revolutionary pieces and people.
Aldrich died at the age of 95 on October 25, 2001.
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Pierre Paulin died on this date in 2009. He was a French furniture designer best known for his chair designs.
Paulin was born on July 9 1927 in Paris. He achieved famed while working at the studio of Marcel Gascoin when he exhibited his work at the 1953 Ideal Home Exhibition. In 1958 Artifort hired Paulin and began producing contemporary furniture. He developed a variety of seat "shells" from 1960 to 1970 made of molded wood lined with foam and prefabricated stretch fabric covers in bright colors. His iconic chairs included the Mushroom, Flesh Tongue and Ribbon. His designs are still sought after today by collectors. His work can be seen at the Museum of Modern Art in NYC, the George Pompidou Center in Paris and The Victoria and Albert Museum in London.
Aldrich spent over 40 years as a fashion designer, creating collections for chic women, sharing the spotlight with Pauline Trigere and Geoffrey Beene. He didn't intend to work in fashion, but a summer internship prior to entering law school that fall, forever altered the course of his life. He opened his own firm in 1927, after his first collection proved to be a huge success.
In 1937 Aldrich began collecting paintings by Gauguin, Monet and others. After he developed a friendship with Alfred H. Barr, Jr., the first director of the Museum of Modern Art, he looked to less-known artists and purchased each work for a maximum of $1,000. He gave all of these (112 works of art) to the Museum. He did the same with the Whitney Museum from 1963-1970. In 1963, Aldrich established his own museum. He sold his extensive collection of masterpieces from Picasso, Miro, Paul Klee and others (raising more than $1.3 million) to fund the building. In 1964, the museum opened to the public in Ridgefield, Connecticut.
Aldrich always saw a natural connection between art and fashion, even producing a dress collection in 1964 inspired by Op Art. In 1966, he sold his design business and focused solely on his museum, naming Alfred Barr, Philip Johnson and Joseph Hirschhorn to the board of directors. Over the next few decades, The Aldrich Museum of Contemporary Art promoted the works of lesser-known artists and continues today to showcase revolutionary pieces and people.
Aldrich died at the age of 95 on October 25, 2001.
_________________________________________________________________________________
Pierre Paulin died on this date in 2009. He was a French furniture designer best known for his chair designs.
Paulin was born on July 9 1927 in Paris. He achieved famed while working at the studio of Marcel Gascoin when he exhibited his work at the 1953 Ideal Home Exhibition. In 1958 Artifort hired Paulin and began producing contemporary furniture. He developed a variety of seat "shells" from 1960 to 1970 made of molded wood lined with foam and prefabricated stretch fabric covers in bright colors. His iconic chairs included the Mushroom, Flesh Tongue and Ribbon. His designs are still sought after today by collectors. His work can be seen at the Museum of Modern Art in NYC, the George Pompidou Center in Paris and The Victoria and Albert Museum in London.
Below is the Butterfly Chair in cowhide. Shop at Hive Modern for Pierre Paulin's designs.
Tuesday, June 11, 2013
Tony Duquette, Extravagent and Extraordinary
Tony Duquette was born on June 11th and died at the age of 85 in 1999. He was best known for his over-the-top style in set, interior and jewelry design. His long-time business partner said this upon his death - "He was the only man who could spend $999 in a 99-cent store."
In his Hollywood Hills Studio, a roomful of 18th century
French Antiques sat amid gilded trees beneath a ceiling studded with glued-on
gold plastic serving trays. His talent
for overdoing it was appreciated by clients who had acquired their own sense of
the grandiose, among them Vincente Minnelli, Doris Duke, Mary Pickford, J. Paul
Getty, David O. Selznick and the Duchess of Windsor.
He was born in Los Angeles, the oldest of four children. He was very artistic from an early age. He entertained his siblings with a puppet show of "Schederazade," making all the costumes himself. The toy houses he built were romantically lit with birthday candles. After attending the Chouinard Art Institute he worked first as a designer for Bullock's Department Store and then as a freelance for Hollywood designers Billy Haines and James Pendleton.
Mr. Duquette liked to say that he was discovered by Lady Mendl (who had become famous as an interior decorator as Elsie de Wolfe) when, in her 80's, she decamped from her villa in France to a villa in Los Angeles to avoid the war.
''I want you to make me a meuble,'' Lady Mendl commanded, putting the word ''furniture'' into French, after admiring a jewel-bedecked plaster and glass centerpiece that Mr. Duquette had designed for a dinner party.
Impressed with the result, a black-lacquered secretary with Moors set against a mirrored background festooned with Venetian glass flowers, she began to promote her new discovery to clients, friends and influential editors. Their collaboration lasted until her death, in 1951. Mr. Duquette became president of the Elsie de Wolfe Foundation and at the time of his death he was organizing an auction of the foundation's Elsie de Wolfe collections, to be held at Christie's in Los Angeles next week.
Excerpts from NYTimes Obituary, September 14, 1999
Monday, June 10, 2013
Andre Derain - Fauvist Painter and Sculptor
The uber-colorful, Fauvist painter Andre Derain was born on this day, June 10, 1880 on the outskirts of Paris, France.
]
He met Henri Matisse while studying to be an engineer at the Academie Camillo. During the summer of 1905, the two painted together and then exhibited their highly innovative pieces at the Salon D'Automne. The art critic Louis Vauxcelles described their paintings as Les Fauves or "the wild beasts" because of the vivid, unnatural colors and the Fauvist Period was launched.
Derain was commissioned by noted art dealer Ambroise Vollard to travel to London in 1906 and compose a series of paintings with the city as his subject. His interpretation of London was fresh, daring and had never been seen before. Through the use of bold colors and unusual compositions, he portrayed the Thames River and Tower Bridge in exciting new ways.
This beautiful painting - Charing Cross Bridge London 1906 - was exemplary of the daring that he exhibited.
]
He met Henri Matisse while studying to be an engineer at the Academie Camillo. During the summer of 1905, the two painted together and then exhibited their highly innovative pieces at the Salon D'Automne. The art critic Louis Vauxcelles described their paintings as Les Fauves or "the wild beasts" because of the vivid, unnatural colors and the Fauvist Period was launched.
Derain was commissioned by noted art dealer Ambroise Vollard to travel to London in 1906 and compose a series of paintings with the city as his subject. His interpretation of London was fresh, daring and had never been seen before. Through the use of bold colors and unusual compositions, he portrayed the Thames River and Tower Bridge in exciting new ways.
This beautiful painting - Charing Cross Bridge London 1906 - was exemplary of the daring that he exhibited.
The Big Ben - 1906 - demonstrated his ability to use pointillist techniques.
Derain's financial stability was secured in 1907 when art dealer Daniel-Henry Kahnweiler purchased his entire studio, allowing him the freedom to devote himself wholeheartedly to his art. He then moved to Montemarte to be closer to his friend Pablo Picasso. During this next significant phase of his life, he shifted away from his Fauvist roots (and color palette) and began using more muted tones (like those used by Paul Cezanne and the Cubists.) According to Gertrude Stein, Derain discovered and was influenced by African sculpture before the Cubists were. Derain supplied woodcuts in primitivist style for Apollianaire's first book of prose in 1909.
Below is one of his most famous sculptures - Crouching Man, 1906.
Window on the Park 1912
Portrait of a Man With a Newspaper 1914
In 1912, Derain's style evolved yet again, embracing a more tradtional and structured approach to painting. He frequented the Louvre and studied works by many of the Renaissance artists, the Old Masters. Between 1914-1918 he served during World War I . When he returned home he became the leader of the renewed classicism movement and even created elaborately traditional sets for the Ballet - Le Boutique Fantasque for Diaghilev, leader of the Ballets Russes.
The 1920's saw his works exhibited all over the world. He created many more set and costumes designs for the Paris Opera during the 1930's He continued to paint, design sets and illustrate books up until the time of his death, despite his failing eyesight. Derain was struck by a car and killed in 1954.
Friday, June 7, 2013
Paul Gauguin
June 7th, 2013
Happy Birthday to Post-Impressionist and Primitive artist Paul Gauguin. His color palette has been a source of inspiration for many designers for decades. He was born on June 7, 1848 (died May 8, 1903) in Paris France. Gauguin spent his early years living in Peru with his mother's family and it was there that his early appreciation of art began. (The imagery and costumes of Lima would later influence his art.) In 1865 He joined the Merchant Navy and then returned to Paris in 1872 where he became a successful stock broker.
Gauguin became fascinated with the Impressionists after seeing an exhibit in 1874. He purchased paintings by Monet, Manet, Pissarro and Renoir. Shortly thereafter he began painting in earnest. For a brief time he worked with Pissarro and then Cezanne.
Still Life with Peaches 1889
After spending a short period with Vincent Van Gogh in Arles (1888), Gauguin increasingly abandoned imitative art for expressiveness through colour.
Happy Birthday to Post-Impressionist and Primitive artist Paul Gauguin. His color palette has been a source of inspiration for many designers for decades. He was born on June 7, 1848 (died May 8, 1903) in Paris France. Gauguin spent his early years living in Peru with his mother's family and it was there that his early appreciation of art began. (The imagery and costumes of Lima would later influence his art.) In 1865 He joined the Merchant Navy and then returned to Paris in 1872 where he became a successful stock broker.
Gauguin became fascinated with the Impressionists after seeing an exhibit in 1874. He purchased paintings by Monet, Manet, Pissarro and Renoir. Shortly thereafter he began painting in earnest. For a brief time he worked with Pissarro and then Cezanne.
Still Life with Peaches 1889
After spending a short period with Vincent Van Gogh in Arles (1888), Gauguin increasingly abandoned imitative art for expressiveness through colour.
From 1891, he lived and worked in Tahiti and elsewhere in the South Pacific. During his first stay there (he was to leave in 1893, only to return in 1895 and remain until his death,) Gauguin discovered primitive art, with its flat forms and the violent colors belonging to an untamed nature. He then transferred that to canvas.
Savage Tales (Contes Barbares) was painted during his second sojourn in French Polynesia. He migrated back as his distaste and discouragement with the European civilization grew. Gauguin embarked on a quest to discover "supposedly noble savages, sensual "otherness" and an emotionally intense existence at the far edge of the world." In this work, two Polynesian women sit serenely in an Eden-like garden. The woman on the left sits in the lotus position, recalling Gauguin's fascination with the Buddha. Flattened, simplified forms reinforce an exotic combination of blues, red-browns, pink and other unusual colors, which blend together like notes of music. The results go beyond the naturalism of Impressionist painting to suggest a realm of mystery, symbolism and inward thoughts.
Savage Tales (Contes Barbares)
His work dismayed even his closest friends when it was first shown in Europe. Gauguin's style wielded enormous influence on the early twentieth century avant-garde (Pablo Picasso and Henri Matisse,) and his unswerving belief in the visionary purity of painting served as a source of inspiration for many followers.
Gauguin died alone in 1903, nearly out of money. It wasn't until years later that his work received great praise and demanded high prices.
Today many stylemakers look to Gauguin for design inspiration and a palette from which to pull colors for textiles, accessories and artwork. Joss and Main, a leading on-line resource for unique home furnishings, hosted a sale this week devoted to Gauguin and French Polynesia.
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